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Know your church buildings

What's the difference between chapels, churches, cathedrals, and basilicas?

Your basic church takes its cue from the Greek origins of the word assembly and also the phrase "belonging to the Lord." If a building is consecrated to assemble the faithful for worship (those also known collectively as the church), and if the building is therefore a "house of God," then it's a church.

A cathedral, by contrast, is the particular church in which the bishop presides over worship and, by extension, over the diocese at large. Historically, cathedrals were grand works of art that took centuries to build: Those who began the construction rarely saw its completion. The cathedrals of Europe were vibrant centers of urban life and learning. Cathedrals tended to be larger than the average church, although the trend toward mega-churches in parts of the United States today have made some local cathedrals seem diminutive by comparison.

Basilicas were originally official buildings of the Roman Empire; the Greek word means "king's hall." When Christians acquired these buildings they were appropriated for Christ the King. These historical structures include four major basilicas of Rome: St. John Lateran, St. Peter's, St. Paul's Outside the Walls, and St. Mary Major.

One might imagine there could be no such thing as a modern basilica by definition. But minor basilicas continue to be named according to a church's historical significance for a particular region. At present more than 1,500 basilicas encircle the globe, with four countries—Italy, France, Poland, and Spain—garnering over 100 each. Five cities enjoy more than ten basilicas, including Rome, Buenos Aires, and Krakow. Jerusalem and Paris each have five. The U.S. has 65 basilicas, including the Cathedral of St. Augustine, Florida, where the first American Catholic parish was founded; Mission Dolores in San Francisco; Sacred Heart Basilica on the campus of the University of Notre Dame; and the Baltimore cathedral.

If churches are intended to gather all the faithful to worship, chapels (sometimes called oratories) serve more specific populations. Folks stuck in airports appreciate the terminal chapel; prisons, hospitals, schools, convents, and religious houses also have chapels for their communities. Each bishop has the right to an oratory in his residence. In addition, some churches have a smaller chapel attached for daily use.

Scripture
Exodus 3:4-5; Isaiah 56:6-8; Psalms 24, 42, 84, 95, 100, 122, 133; Mark 11:15-17

Online resource
Built of Living Stones: Art, Architecture, and Worship, from the United States Conference of Catholic Bishops

Books
Theology in Stone: Church Architecture from Byzantium to Berkeley by Richard Kieckhefer (Oxford University Press, 2008)
How to Read a Church: A Guide to Symbols and Images in Churches and Cathedrals by Richard Taylor (HiddenSpring, 2005)

The Stations of the Cross

Where do the Stations of the Cross come from?

Formally known as the Way of the Cross, but popularly called the Stations, this devotion emerged not from scripture but from the practice of pilgrimage to the Holy Land. Since the time of Constantine, pilgrims made their way to Jerusalem to walk the Via Dolorosa ("Way of Sorrow") from Pilate's house to Golgotha, meditating on the suffering and death of Jesus. Depending on your guide this journey could include 18, 25, or as many as 37 different stops or "stations" of meditation.

For various reasons—distance, expense, and shifting political landscapes among them—it wasn't always possible for people to get to Israel. Yet the grace available in "taking up the cross" with Jesus was deemed valuable enough to seek a way to make this pilgrimage locally accessible to the faithful of Europe.

That led the Franciscans, in whose stewardship the holy sites of Jerusalem were entrusted, to franchise the Via Dolorosa in first one then several sites in Europe. "The Seven Falls of Jesus" consolidated this early Way of the Cross, three of which are preserved in our current Fourteen Stations. (Four of the meetings along the way—with Jesus' Mother, Simon of Cyrene, Veronica, and the Holy Women of Jerusalem—are considered remnants of the other Falls once observed.)

By the 16th century papal support for this devotion increased the demand for Stations in monasteries, convents, and churches. They became so popular that it would be hard to find a church, chapel, or oratory today that doesn't have the Way of the Cross erected within its walls or on its grounds in the open air. Fourteen Stations became established as the standard by the 18th century, and the Stabat Mater hymn (At the Cross Her Station Keeping) has become the traditional song for public devotions.

While images of each event often accompany the Stations, they are not required. The actual Station is represented by the cross itself, to be made of wood. The image may be fashioned of any material. Some artists have added a 15th Station of the Resurrection to create theological balance; others have rewritten the Stations to represent only scripturally based events. This devotion remains a vibrant way to embrace the spirit of pilgrimage and to contemplate how to "take up the cross" where we live.

Scripture
See the Passion accounts in Matthew 27, Mark 15, Luke 23, and John 18-19

Online resource
www.usccb.org/nab/stations.htm (alternative Stations prayed by Pope John Paul II)

Books
The New Stations of the Cross: The Way of the Cross According to Scripture by Megan McKenna (Image Books, 2003)
Walk with Jesus: Stations of the Cross by Henri J. M. Nouwen (Orbis Books, 1990)
The Way of the Cross with the Women of the Gospels by Sister Ruth Fox, O.S.B. (Liturgy Training Publications)


Ask Alice a question.
Alice L. Camille

Alice Camille is an author and religious educator with a Master of Divinity degree from the Franciscan School of Theology in Berkeley, California. She has served as an RCIA catechist and Bible study facilitator with extensive experience in parishes, campus ministry, and adult faith formation. Her writing has earned awards from the Catholic Press Association, the Associated Church Press, and the Religion Communicators Council. Her website is www.alicecamille.com.

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